Official Bio:
John Sibley Williams is the author of six chapbooks, winner of the HEART Poetry Award, finalist for the Rumi and The Pinch Poetry Prizes, and nominee for two Pushcart Prizes. He has served as Acquisitions Manager of Ooligan Press and Publicist for various presses, and holds an MFA in Creative Writing and MA in Book Publishing. Some of his over 200 previous or upcoming publications include: Inkwell, Bryant Literary Review, Cream City Review, The Chaffin Journal, The Evansville Review, RHINO, Rosebud, Ellipsis, Flint Hills Review, and Poetry Quarterly.
Previous Publications:
The Prose Poem, Inkwell Journal, The Newer York, Scythe Literary Journal, Istanbul Literary Review, Cream City Review, Missive, Verse Wisconsin, Avatar Review, Hawai’i Pacific Review, Atticus Review, Moon Milk Review, Decanto, Subliminal Interiors, Pipe Dream, Sugar House Review, Curbside Quotidian, The Chaffin Journal, Bryant Literary Review, 322 Review, Counterexample Poetics, Umbrella Factory, Espresso Ink, IMPROV 2011 Anthology, Yes, Poetry, The Montucky Review, Cartographer, The Pinch Literary Journal, The Fiddleback, The Copperfield Review, The Nervous Breakdown, Literary Fever, M Review, MAYDAY, White Whale Review, Line Zero, CRANE, Isles Review of Poetry, Blue Fifth Review, The Unrorean, 491 Magazine, Epic Rites Press, Taj Mahal Review, Unshod Quills, Spork Press, Small Doggies, Poetic Matrix, Poets and Artists, The Neglected Ratio, Calliope Nerve, Accents Publishing, The Henniker Review, The Delinquent, Young American Poets, The Citron Review, Poetry Quarterly, Symmetry Pebbles, BluePrint Review, Five Poetry Journal, Calliope Nerve, Red Ochre Press, Anemone Sidecar, amphibi.us, vox poetica, Nostalgia Press, Scribble, Grey Sparrow Press, O Sweet Flowery Roses, RHINO, Blue Lake Review, Carcinogenic Poetry, Caper Literary Journal, Heavy Hands Ink, Word Salad, Cirque, 322 Review, Exercise Bowler, Psychic Meatloaf, Tertulia Magazine, Portland Alliance, Scapegoat Review, LEVELER Poetry Journal, Rosebud, The Houston Literary Review, The Portland Review, Third Wednesday, Other Rooms, Tipton Poetry Journal, The Scrambler, Willows Wept Review, Tuesday: An Art Project, Now Culture, Naugatuck River Review, Gloom Cupboard, Sleet Magazine, The Furnace Review, Blue Moon Literary and Art Review, Cutthroat, Spectrum, Literary Tonic, The Chaffey Review, The Heartland Review, Mad Swirl, Verdad Magazine, Eclectica Magazine, Offcourse Literary Journal, The November 3rd Club, Four and Twenty, Euphony, Ellipsis, Counterexample Poetics, Unfettered Verse, Bijou Poetry Review, The Write Room, Wilderness House Literary Review, Tertulia Magazine, Amarillo Bay, Seven Circles Press, The New Verse News, Folly, Mad Poets Review, Stirring, Pure Francis, San Pedro River Review, Wild Goose Poetry Review, Poets Ink, Other Rooms, Open Letters, Silenced Press, River Poems Anthology, River Poets Journal, Hawai’i Review, Aries: A Journal of Creative Expression, Literary Bohemian, Concho River Review, The Shine Journal, Arlington Literary Journal, Wilderness House Literary Review, Red Wheelbarrow, Desert Voices, Glass, Illogical Muse, Lines + Stars, Paradigm, Amarillo Bay, The November 3rd Club, Language and Culture, Nibble, Verdad Magazine, Southwestern American Literature, White Whale Review, Miranda Literary Magazine, The Oklahoma Review, Sangam Literary Review, Clapboard House, Ken*again, Munyori Literary Review, Poet’s Ink, The Evansville Review, Seven Circles Press, Barnwood International, Ghoti Magazine, The Journal, Southern Ocean Review, Third Wednesday, Flutter Poetry Journal, River Oak Review, Juked, Flint Hills Review, Cherry Blossom Review, Cadillac Cicatrix, Blue Fog Poetry Journal, Ampersand Poetry Journal, Poetic Diversity, Wild Goose Poetry Review, Tertulia Magazine, Phantasmagoria, Collected Stories, Raving Dove, Red Hawk Review, Hot Metal Press, Language and Culture, Black Rock & Sage, Typically Unusual, Main Channel Voices, Voices (a print consortium of community colleges), The Alembic, Samizdada
